The photographic series perspective explores how light and color influence our perception of space. At its core lies a simple white cube, serving as a neutral surface for variations in colored light. Through the manipulation of these elements, each composition offers a new visual experience that redefines spatial perception in unexpected ways.

Sharp lines—horizontal, vertical, and diagonal—emerge in each image, challenging the viewer’s perception and engaging the senses. Gradations of light, shadows, and contrasts create a sense of movement: at times the light seems to advance, while at others it retreats.

Colors blend subtly or collide forcefully, creating tension or harmony, confrontation or intimacy.

The resulting images are abstract and open in meaning. Each work is identified only by a number, referring to the moment of its capture. Titles are intentionally absent, allowing space for individual interpretation and emotional response. The photographic image is not a conclusion, but rather an invitation to reflect—a suggestion rather than a statement.

Repetition plays a key role in this series. Works are often presented as diptychs or triptychs, establishing a rhythm that deepens the viewer’s sensitivity to the nuances of light and color. This repetition reveals subtle variations and resonances, drawing the observer into a quiet, contemplative dialogue with the image.